Dillagence is the latest of the outputs are dedicated to Detroit producer who died in February 2006, a sort of mixtape created by Mick Boogie Busta Rhymes raps that like a maniac, too much for my taste, over beds (most have already heard, published in the official records or caught in the myriad of collections that appear like mushrooms on emule) J Dilla. Instrumental beauty embarrassing that you do not need any added vowel, so that only a few cases where rhymes are to embellish BR ("Takin what's mine" and "Lightworks" by Q-Tip and Talib Kweli) What I think is an exercise of freedom in music difficult to get published. Can not explain in words the love that you get to try out for those splinters of sound in just a minute and a half can travel from one era to another and music the same way to fully express the spirit of our times between synth just mentioned, samples intentionally "bad cut" and repeated endlessly. Sounds that suddenly implode nell'incedere beat a skinny or explode in the launch of a siren that combines a track to another in a sort of continuous flow in which there is no room for any established rule, hip-hop is defined as something completely outdated, here is played with the raw material of music: rhythm, heart, continuous rustling, distant voices and present in a moment there in front of you, as if a century of music history and "black" would all of a sudden go through the multiple pathways of masterpieces such as "Donuts," the instrumental "The Shining", "Jay Love Japan", "Champion Sound" and all the other pearls produced before the untimely death. J Dilla, Madlib and his Stones Throw and the clique (the "Motown" in 2000), have finally given a human sound in the new millennium. Much more than a few authors of contemporary electronic music embody the ideas of recombination, stream of consciousness, difference and repetition to loved ones authors such as Deleuze and Guattari, the philosopher who said that work on the concepts as a kind of synthesizer. He said '900
Foucault that "this century will be Deleuzian," "wrong" only when referring to the twentieth century and not that we are experiencing now. Similarly for music, J Dilla will remain a constant reference point for hundreds of musicians, from jazz to funk to hip hop, dance (Crookers and Switch are an example), pop (as there is in some Dilla Timberlake and Timbaland's stuff). Exercise
unsurpassed style, freedom, nonconformity, passion and desire. RIP
(mp3: J Dilla - Can not you see from " Jay Love Japan")
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